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It first surfaced in as a vehicle for rap oddball Lil B, before an instrumental version was set free onto the internet two years later. Never officially released, it quickly became a cult favourite: disseminated on file-sharing services and uploaded to YouTube by fans, where it went viral.
But its legacy goes beyond just play counts. Put in historical context, the track marked a couple of important micro-revolutions for music.
In the late aughts and early s, emerging producers and rappers would connect on email and build tracks together without ever meeting face to face.
With no record labels in the way, they would chuck their handiwork on random file-sharing links or MySpace pages something that unintentionally lent the songs an impermanence.
Finding the gems required keeping an ear to the ground; knowing who to listen to and where to dig. The sound of cloud rap was murky and morose melodies paired with hip-hop drums, purpose designed to be spacious enough to be rapped over.
To mark the occasion, we spoke to Clams Casino, aka New Jersey beatmaker Michael Volpe, about ten years as an underground hero.
Where were you at with your career then? I was really early on. I had just been reaching out to artists and rappers using MySpace, sending them beats to use for free.
The sending beats to rappers -- is that how you got linked up with Lil B? I was a super fan of The Pack, this group he was in earlier on.
So I reached out to him a couple of years later when I started getting serious about getting music out. A couple years after that, in , was the first time we connected online.
Did you feel much a part of the electronic music scene then, or was your eye always on hip-hop? At that time it was definitely all hip-hop to me, really.
I was just making rap beats and sending them around. And all of a sudden I became a part of it as an artist. I put out a bunch of rap beats -- stuff that was made to be rapped on, and sent to rappers.
I guess there was something about it that could stand on its own, and a lot of people knew that about my music before I did. I remember not really thinking much of it.
I mean, that was the only thing I really remember of it: making it and sending it out and not really thinking much of it. I have felt stronger about a lot of other things that I made.
The Lil B version of the track had been circulating around the web for a few years when Clams put the instrumental version in a Zippyshare download.
By , the song had been pseudo-viral for a number of years. Demand for an official version of the song kept growing, though. From what I heard, she liked it from the beginning.
It was a decision fueled by technology. The song morphed with the way rap fans consumed music. First, it was a downloadable Lil B song.
Then, it became downloadable as an instrumental. When iTunes libraries were the go-to resource for music purchasing, the song found a home on YouTube and became a cult hit.
The business side of the deal makes little difference to Clams. It's hard for me to tell. Stream On Youtube Twitch Netflix Hulu Roku Pluto.
Village Voice. Archived from the original on Retrieved The FADER. November 27, Archived from the original on October 31, Retrieved February 13, The Nutley High School grad first began to tinker with beats as a teen, fooling around with basic keyboards and synthesizers, much simpler ones than the machines now scattered around his basement home studio.
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Navigation menu Personal tools Not logged in Talk Contributions Create account Log in.At that time it was definitely all hip-hop to me, really. I always knew that in anything that I was doing, I was trying to do it a different way. I was just making rap beats and sending them around. NГјrnberg Gegen Bvb, it became downloadable as an instrumental. Top-Songtexte Community Teilnehmen Business. Hot Songs Master KG - Jerusalema Songtext MEDUZA - Paradise feat. Exklusives Angebot Bekomme bis zu 3 Monate kostenlose Musik. Playlists relacionadas. Put in historical context, the track marked a couple of important micro-revolutions for music. Michael Volpe born May 12,known professionally as Clams Casinois an American record producer and songwriter from Nutley, New Jersey. Do you still have an iTunes library? Leave it to the Based God to recognize brilliance. No Thanks Allow. GORILLA VS. Volpe contributed a score for Locomotora work choreographed by his cousin Stephen Petronio released in So at that time, legal stuff was the last thing on my mind. The song morphed with the way rap fans consumed music. So I was aware that I always wanted to be doing something different, and hopefully be recognised for being as original as I can. Sign up for Complex notifications for breaking news and stories. No, I gave up on iTunes a while ago because I just got tired of the process of having to plug the phone Werder Bremen Gegen Union Berlin and there always being problems.