Apollo, Greek God, Greek Gods, Greek Mythology, Mythology. Embed this image on your website or blog NOW! Just drop in the embed code below and you're. Schau dir unsere Auswahl an greek god apollo an, um die tollsten einzigartigen oder spezialgefertigten handgemachten Stücke aus unseren Shops für. Apollo God of the Sun, Healing, Music, and Poetry (Gods and Goddesses of Ancient Rome) | Temple, Teri, Temple, Emily | ISBN: | Kostenloser.
Apollo God of the Sun™Apollo steht für: Apollon, einen Gott in der römischen und griechischen Mythologie, nach dem verschiedenste Dinge benannt wurden. () Apollo, einen. Begleite Sonnengott Apollo in eine epische Spielewelt und entdecke auf dem Weg zum Slot-Olymp kolossale Gewinnchancen. Apollon (altgriechisch Ἀπόλλων, lateinisch Apollo, deutsch auch Apoll) ist in der griechischen und römischen Mythologie der Gott des Lichts, der Heilung, des.
Apollo God Who Is Apollo? VideoGreek Gods Explained In 12 Minutes The sculptors had a clear idea of what a young man is, and embodied the archaic smile of good manners, the firm and springy step, the balance of the body, dignity, and youthful happiness. Online Uk Slots . During the Trojan War, Odysseus came to the Trojan camp to return Chriseis, Dfb.Tv daughter of Apollo's priest Chryses Wo Kann Man Bayern Gegen Liverpool Sehen, and brought many offerings to Apollo. It seems an oracular cult existed in Delphi from the Mycenaean age.
Machen dabei Dfb.Tv auf Dfb.Tv Faktoren aufmerksam, um auf sein Konto zugreifen. - NavigationsmenüAber Peirithoosder in der Unterwelt von Hades gefangen gehalten wird, besitz einen Bogen, das Apollo gehörte.
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In this earlier period, he was the patron of prophecy, music, intellectual pursuits, healing, and plague. Perhaps the earliest conflation of Apollo and the sun god Helios occurs in the surviving fragments of Euripides ' "Phaethon.
It was also the name of the son of the sun god who foolishly drove his father's sun-chariot and died for the privilege. By the Hellenistic period and in Latin literature , Apollo was associated with the sun.
The firm connection with the sun may be traceable to the "Metamorphoses" of the major Latin poet Ovid. He is unique among the major Roman gods in that he retained the name of his counterpart in the Greek pantheon.
The Oracle at Delphi, a renowned seat of prophecy in the classical world, was intimately connected with Apollo.
The origin of the name Apollo is still not properly understood. However, in time, he evolved to become a multifaceted god adored all over Greece as the perfectly developed classical male nude, the kouros.
Beardless and athletically built, he is often depicted with a laurel crown on his head and either a bow and arrow or a lyre and plectrum in his hands.
The sacrificial tripod — representing his prophetic powers — was another common attribute of Apollo , just as few animals linked with the god in various myths : wolf, dolphin, python , mouse, deer, swan.
Apollo was in charge of so many things that, naturally, even his more famous epithets are numerous. Apollo is the son of Zeus and Leto. Nobody would accept the pregnant Titaness, except for the island of Delos, where Leto first delivered Artemis while balancing her body on an olive branch.
Afterward, Artemis helped her mother deliver Apollo as well. Fed exclusively with nectar and ambrosia , in merely four days Apollo grew strong and hungry for revenge.
Apollo has a twin sister named Artemis. She is the goddess of hunting and animals and therefore is often depicted with a bow and arrow.
She was also one of the three virgin goddesses. A hunter named Iron became best friends with Artemis, and they would often hunt together. In this interpretation, Apollo's title of Lykegenes can simply be read as "born in Lycia", which effectively severs the god's supposed link with wolves possibly a folk etymology.
In literary contexts, Apollo represents harmony, order, and reason—characteristics contrasted with those of Dionysus , god of wine, who represents ecstasy and disorder.
The contrast between the roles of these gods is reflected in the adjectives Apollonian and Dionysian. However, the Greeks thought of the two qualities as complementary: the two gods are brothers, and when Apollo at winter left for Hyperborea , he would leave the Delphic oracle to Dionysus.
This contrast appears to be shown on the two sides of the Borghese Vase. Apollo is often associated with the Golden Mean.
This is the Greek ideal of moderation and a virtue that opposes gluttony. Apollo is a common theme in Greek and Roman art and also in the art of the Renaissance.
Greek art puts into Apollo the highest degree of power and beauty that can be imagined. The sculptors derived this from observations on human beings, but they also embodied in concrete form, issues beyond the reach of ordinary thought.
The naked bodies of the statues are associated with the cult of the body that was essentially a religious activity.
The muscular frames and limbs combined with slim waists indicate the Greek desire for health, and the physical capacity which was necessary in the hard Greek environment.
The statues of Apollo embody beauty, balance and inspire awe before the beauty of the world. The evolution of the Greek sculpture can be observed in his depictions from the almost static formal Kouros type in early archaic period , to the representation of motion in a relative harmonious whole in late archaic period.
In classical Greece the emphasis is not given to the illusive imaginative reality represented by the ideal forms, but to the analogies and the interaction of the members in the whole, a method created by Polykleitos.
Finally Praxiteles seems to be released from any art and religious conformities, and his masterpieces are a mixture of naturalism with stylization.
The evolution of the Greek art seems to go parallel with the Greek philosophical conceptions, which changed from the natural-philosophy of Thales to the metaphysical theory of Pythagoras.
Thales searched for a simple material-form directly perceptible by the senses, behind the appearances of things, and his theory is also related to the older animism.
This was paralleled in sculpture by the absolute representation of vigorous life, through unnaturally simplified forms. Pythagoras believed that behind the appearance of things, there was the permanent principle of mathematics, and that the forms were based on a transcendental mathematical relation.
His ideas had a great influence on post-Archaic art. The Greek architects and sculptors were always trying to find the mathematical relation, that would lead to the esthetic perfection.
In classical Greece, Anaxagoras asserted that a divine reason mind gave order to the seeds of the universe, and Plato extended the Greek belief of ideal forms to his metaphysical theory of forms ideai , "ideas".
The forms on Earth are imperfect duplicates of the intellectual celestial ideas. The artists in Plato's time moved away from his theories and art tends to be a mixture of naturalism with stylization.
The Greek sculptors considered the senses more important, and the proportions were used to unite the sensible with the intellectual. Kouros male youth is the modern term given to those representations of standing male youths which first appear in the archaic period in Greece.
This type served certain religious needs and was first proposed for what was previously thought to be depictions of Apollo. The formality of their stance seems to be related with the Egyptian precedent, but it was accepted for a good reason.
The sculptors had a clear idea of what a young man is, and embodied the archaic smile of good manners, the firm and springy step, the balance of the body, dignity, and youthful happiness.
When they tried to depict the most abiding qualities of men, it was because men had common roots with the unchanging gods. Apollo was the immortal god of ideal balance and order.
In the first large-scale depictions during the early archaic period — BC , the artists tried to draw one's attention to look into the interior of the face and the body which were not represented as lifeless masses, but as being full of life.
The Greeks maintained, until late in their civilization, an almost animistic idea that the statues are in some sense alive.
This embodies the belief that the image was somehow the god or man himself. The statue is the "thing in itself", and his slender face with the deep eyes express an intellectual eternity.
According to the Greek tradition the Dipylon master was named Daedalus , and in his statues the limbs were freed from the body, giving the impression that the statues could move.
It is considered that he created also the New York kouros , which is the oldest fully preserved statue of Kouros type, and seems to be the incarnation of the god himself.
The animistic idea as the representation of the imaginative reality, is sanctified in the Homeric poems and in Greek myths, in stories of the god Hephaestus Phaistos and the mythic Daedalus the builder of the labyrinth that made images which moved of their own accord.
This kind of art goes back to the Minoan period, when its main theme was the representation of motion in a specific moment. The earliest examples of life-sized statues of Apollo, may be two figures from the Ionic sanctuary on the island of Delos.
Such statues were found across the Greek speaking world, the preponderance of these were found at the sanctuaries of Apollo with more than one hundred from the sanctuary of Apollo Ptoios , Boeotia alone.
Ranking from the very few bronzes survived to us is the masterpiece bronze Piraeus Apollo. It was found in Piraeus , the harbour of Athens.
The statue originally held the bow in its left hand, and a cup of pouring libation in its right hand. It probably comes from north-eastern Peloponnesus.
The emphasis is given in anatomy, and it is one of the first attempts to represent a kind of motion, and beauty relative to proportions, which appear mostly in post-Archaic art.
The statue throws some light on an artistic centre which, with an independently developed harder, simpler and heavier style, restricts Ionian influence in Athens.
Finally, this is the germ from which the art of Polykleitos was to grow two or three generations later. At the beginning of the Classical period , it was considered that beauty in visible things as in everything else, consisted of symmetry and proportions.
The artists tried also to represent motion in a specific moment Myron , which may be considered as the reappearance of the dormant Minoan element.
The Greek sculptors tried to clarify it by looking for mathematical proportions, just as they sought some reality behind appearances. Polykleitos in his Canon wrote that beauty consists in the proportion not of the elements materials , but of the parts, that is the interrelation of parts with one another and with the whole.
It seems that he was influenced by the theories of Pythagoras. The famous Apollo of Mantua and its variants are early forms of the Apollo Citharoedus statue type, in which the god holds the cithara in his left arm.
The type is represented by neo-Attic Imperial Roman copies of the late 1st or early 2nd century, modelled upon a supposed Greek bronze original made in the second quarter of the 5th century BCE, in a style similar to works of Polykleitos but more archaic.
The Apollo held the cythara against his extended left arm, of which in the Louvre example, a fragment of one twisting scrolling horn upright remains against his biceps.
Though the proportions were always important in Greek art, the appeal of the Greek sculptures eludes any explanation by proportion alone.
The statues of Apollo were thought to incarnate his living presence, and these representations of illusive imaginative reality had deep roots in the Minoan period, and in the beliefs of the first Greek speaking people who entered the region during the bronze-age.
Just as the Greeks saw the mountains, forests, sea and rivers as inhabited by concrete beings, so nature in all of its manifestations possesses clear form, and the form of a work of art.
Spiritual life is incorporated in matter, when it is given artistic form. Just as in the arts the Greeks sought some reality behind appearances, so in mathematics they sought permanent principles which could be applied wherever the conditions were the same.
Artists and sculptors tried to find this ideal order in relation with mathematics, but they believed that this ideal order revealed itself not so much to the dispassionate intellect, as to the whole sentient self.
In the archaic pediments and friezes of the temples, the artists had a problem to fit a group of figures into an isosceles triangle with acute angles at the base.
The Siphnian Treasury in Delphi was one of the first Greek buildings utilizing the solution to put the dominating form in the middle, and to complete the descending scale of height with other figures sitting or kneeling.
The pediment shows the story of Heracles stealing Apollo's tripod that was strongly associated with his oracular inspiration. Their two figures hold the centre.
In the pediment of the temple of Zeus in Olympia , the single figure of Apollo is dominating the scene. These representations rely on presenting scenes directly to the eye for their own visible sake.
They care for the schematic arrangements of bodies in space, but only as parts in a larger whole. While each scene has its own character and completeness it must fit into the general sequence to which it belongs.
In these archaic pediments the sculptors use empty intervals, to suggest a passage to and from a busy battlefield.
The artists seem to have been dominated by geometrical pattern and order, and this was improved when classical art brought a greater freedom and economy.
Apollo as a handsome beardless young man, is often depicted with a kithara as Apollo Citharoedus or bow in his hand, or reclining on a tree the Apollo Lykeios and Apollo Sauroctonos types.
The Apollo Belvedere is a marble sculpture that was rediscovered in the late 15th century; for centuries it epitomized the ideals of Classical Antiquity for Europeans, from the Renaissance through the 19th century.
The life-size so-called " Adonis " found in on the site of a villa suburbana near the Via Labicana in the Roman suburb of Centocelle is identified as an Apollo by modern scholars.
In the late 2nd century CE floor mosaic from El Djem , Roman Thysdrus , he is identifiable as Apollo Helios by his effulgent halo , though now even a god's divine nakedness is concealed by his cloak, a mark of increasing conventions of modesty in the later Empire.
Another haloed Apollo in mosaic, from Hadrumentum , is in the museum at Sousse. Apollo has often featured in postclassical art and literature.
In discussion of the arts, a distinction is sometimes made between the Apollonian and Dionysian impulses where the former is concerned with imposing intellectual order and the latter with chaotic creativity.
Friedrich Nietzsche argued that a fusion of the two was most desirable. Carl Jung 's Apollo archetype represents what he saw as the disposition in people to over-intellectualise and maintain emotional distance.
Charles Handy , in Gods of Management uses Greek gods as a metaphor to portray various types of organisational culture. Apollo represents a 'role' culture where order, reason, and bureaucracy prevail.
From Wikipedia, the free encyclopedia. Greek god. This article is about the Greek and Roman god. For the spaceflight program, see Apollo program.
For other uses, see Apollo disambiguation. For other uses, see Phoebus disambiguation. God of oracles, healing, archery, music and arts, sunlight, knowledge, herds and flocks, and protection of the young.
Apollo Belvedere , c. Sacred Places. Sacred Islands. Sacred Mountains. Rites of passage. Hellenistic philosophy. Other Topics.
Main articles: Ancient Greek temple and Roman temple. Main article: Greek mythology. Main article: Apollo and Daphne.
Ancient Greece portal Myths portal Religion portal. Austin: University of Texas Press. Hoffmann, Yalouris , no. Beekes , Etymological Dictionary of Greek , Brill, , p.
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The British Museum Press. The Mycenaean World. At Google Books. Which is sung to stop the plagues and the diseases.
Proklos: Chrestom from Photios Bibl. Die Geschicthe der Griechischen religion. Vol I, p. In North-Europe they speak of the " Elf-shots ".
In Sweden where the Lapps were called magicians, they speak of the "Lappen-shots". Martin Nilsson Nom P. Martin Nilsson Vol I, p. BCE 1 June The Iliad.
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I, pp. Hittite myth of Illuyankas. Also in the Bible: Leviathan. Porzig Illuyankas and Typhon. Kleinasiatische Forschung , pp. In Italy Apollo was introduced at an early date and was primarily concerned, as in Greece, with healing and prophecy; he was highly revered by the emperor Augustus because the Battle of Actium 31 bce was fought near one of his temples.
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